These are strange times. Strange times indeed. But music is the perfect antidepressant for times like these. It...
The new album, pieced together over the course of two years, marks the surprise return from an indefinite hiatus for the Richmond, VA band.
Øgïvęš Big Band is not just an exercise in exotic symbology, it is a supergroup in the Bristol underground prog and math scene. Comprising the troupe are guitarist Ben Harris (Øgïvęš, ANTA, Rainbow Slicer), bassist Ben Holyoake (Lambhorn), and drummer Oli Cocup (Lambhorn, My Octopus Mind). Sharing a passion for musical experimentation and the avant garde, the trio set out to warp all your favourite heavy rock tropes and throw your expectations back in your face.
It’s been a whole year since Delta Sleep released their sophomore album Ghost City. Insincere exclamations of how quickly the time passed aside, in this time, Delta Sleep have enjoyed transatlantic success and found themselves no longer having to play the early slots of sweaty math rock all-day festivals confined to the gloomy and oppressive basements of Shoreditch bars.
Adding odd meters and angular riffs to indie rock is like sprinkling chilli on your chocolate ice cream. Conceptually, it seems problematic; they are simply different elements. But, when blended well, it's a delectable and slightly bewildering sensory experience.
The British are the undisputed front runners when it comes to blending the hook-rich and jangly nature of alt-rock and indie with the stylings of math rock...
Southhampton math rock act Sketchshow are off to a rocketing start. Having formed only a year ago, the quintet are already well on the road to world domination, with their debut EP Patchwork hitting the internet shelves next month. The band take influence from a range of acts: Intervals, Sithu Aye, CHON, Snarky Puppy, The Internet and Everything Everything.
One of my great loves about math rock is the 'jolt'. Y'know, it's those musical moments where the music just didn't follow the convention
The consolation of math rock is that the unexpected is expected. The listener is often presented with a non-conventional sensory overload and, as the song finishes, are left picking up the many pieces and trying to make sense of them.