Much like –
let’s say – duck à l’orange, the constituents of
Luo’s sound, on paper, haven’t, at first glance, ever appeared too likely to mingle well. Thick, hazy electronica and tumbling, wonky prog leanings; a bird and a citrus fruit? Neither part feels instantly plausible to mesh without prompting some discord however, as contemporaries such as
Three Trapped Tigers and
Poisonous Birds consistently
prove (as regards the music, not the cuisine), the two can make for comfy bedfellows.