‘I'm just going to make it up as I go along.’ Those are the words of Steve Strong, not one month ago, before recording his new EP, Ghost Writing For Kano.
Since 2012, Brighton electronic artist Josh Trinnaman, otherwise known as Luo, has treated us with EPs that were enigmas. Trinniman built idyllic but undoubtedly jagged sonic landscapes, layers of ethereal musical textures built upon a bed of electronic percussion. Where did they fit? Jazz? House? The lambasted realm of IDM?
p[retty] f[lippin] a[wesome] f[rickin] f[riends] is the quirky debut from new EP new Manchester conjoined triplets
pfaff, recorded by Cleft expiree John Simm.
It feels like it’s been an age since we’ve heard from tfvsjs though it’s only been three years since the release of their first fantastic album ‘equal unequals to equal’ (kudos to the band for finally getting on that Bandcamp train, took a while!) that brought them a fair bit of attention in our global niche despite the minimal amount of information about them available online.
It might come to no surprise to listeners who have followed the progress of 'third wave' emo, whose twinkly roots lie in the sad states of the middle US, that Illinois's Brownie Mountain's Midwest Chic does not fall far from the proverbial tree
Someone in a state of fugue, they've typically wound up in a place or situation from whence they have no recollection of how they arrived. They are suffering an amnesia from identity. Thus, it may strike you as ironic that keyboardist Annis Saniee of the math rock band Fugue has wound up a completely new two-piece project.
he great challenge for any instrumental band is to communicate the themes of their work to listeners with a paucity of words, usually confined to song titles, album names, or intermittent vocals. When it comes to math rock, the clean toned and frenetically tapped guitar often reigns supreme in many fan circles. But it begs the question: what is the breadth of its musical language; how much can it really communicate before it alls sound the same? Math rock is predominantly a guitar-lead genre, but what will happen when the products of its tools become saturated and all too familiar?
In 2014, Chicago's Bathing Resorts released their debut EP Snacks, a medley of energetic math rock clocking in at around nine minutes. It was, by all accounts, a snack. A quick source of nourishment; a burst of dazzling flavours...
...both albums look toward the left of the screen; camera pans out to reveal empty third chair… the curtain twitches. Out steps Cleft's new album Wrong, a creature aristocratic, innocent and ironic, and open minded as is apparent by its dress.