Since their self-titled release in 2011, And So I Watch You From Afar has been crafting a unique blend of boisterous and energetic instrumental rock, with heavy emphasis on guitar shredding and digital pedal trickery.
Ask the average person what they know about Luxembourg, and they probably won't get a lot further than (a) shit at football (b) rich/tax haven (c) something about the EU, they had a meeting there once, right?
If there are two traits that tie together multi-instrumentalist Yvette Young’s work as a whole; they are beauty and detail. Young’s new EP, her second collection of acoustic compositions, is a solid example of this, creating a gentle, emotive atmosphere that deepens with each song.
Alright, this came out last month but I didn't want to let it go under the radar. Riding Pânico's latest endeavour is pleasantly contemplative, but also packs a secret punch to it, draping you in dreamy, curious atmospheres only to slowly hit you with a gut-felt heaviness indicative of their sludge/stoner roots...
Spanish post/math rock stalwarts Jardín de la Croix valiantly return to the spotlight with Circadia, their first release since their 2013 EP 187 Steps To Cross The Universe. Their full length follow up is exquisitely produced and brings an array of new tricks to their familiar melodic sound.
Shortly before defying both power cuts and the elements in order to deliver one of the sets of the weekend at ArcTanGent, we caught up with Boston post-rock titans Caspian to talk about what fuels their fire musically. Initially apprehensive to put all six of their names to one album, we eventually found the common ground upon which House Caspian is built.