Since their self-titled release in 2011, And So I Watch You From Afar has been crafting a unique blend of boisterous and energetic instrumental rock, with heavy emphasis on guitar shredding and digital pedal trickery.
As far as we can tell, Anthony Fremont, whose namesake adorns Anthony Fremont's Garden Solutions is not in fact a physical member of the Ohio math-noise quartet. Rather, he is (purportedly) a 6 year old monster who, in between transmogrifying reality based on the thoughts he hears inside people's minds, writes music vicariously through guitarist Marcus Drake.
Ask the average person what they know about Luxembourg, and they probably won't get a lot further than (a) shit at football (b) rich/tax haven (c) something about the EU, they had a meeting there once, right?
What an exciting time it was last year when word rapidly spread that Gallops were going to re-gallop. fter a hiatus of four years, the Wrexham band announced not only their valiant return to the stage, but that a new album would be on the cards.
Aiming For Enrike first burst into our hearts with their incredible Rohdos Garage live sessions last year. Armed with a modest arsenal of guitar, drums and herd of pedals, the Norwegian act were forging sounds that combined melodic pop-hooks, looped fusion grooves and the oddball sonic textures of Battles and Adebisi Shank.
Grindcore is a brilliant genre; in fact, just generally, aggressive-tech-metal can be a very rewarding style of music – there’s a furious, electrifying energy captured in the violence of the music, which can ultimately prove tangibly cathartic. However, it’s such that, most often, that same energy is pumped into the creation of darker, angrier music which, without wanting to criticise, is not what listeners seeking a fix of intense, aggressive music always want.