Boston's Bat House bring elements from across the musical landscape and feed them through the lo-fi grinder in their explosive and versatile self-titled debut. Bat House is an epic journey, wandering across surf rock, folk, shoegaze and intense polyrhythmic mathcore madness.
As post rock steadily descends into the maelstrom of predictable minor chord progressions and prosaic crescendos, it's always refreshing to see a shiner in the rough. A glimmer of hope for an unfortunately diluted genre.
Japan experimental jazz trio mouse on the keys transition from the resounding melodic poignancy of previous records towards a softer, minimalist and ultimately more somber territory in Out Of Body. It is a territory that comprises brooding post-punk synths in 'Earache'...
Around 1991, Cardiacs members Tim Smith, Sarah Smith and William Drake collaborated to record material for their side project The Sea Nymphs. 25 years later, a core of their unreleased music has re-emerged from the vaults, which forms their new compilation On The Dry Land.
A good jazz record is much like a David Lynch film, the complexity keeping you in a state of bewilderment but the substance compelling enough to retain your curiosity. It was clear from the outset that Strobes was to frequent the union inside the complex/compelling Venn diagram, as the band slowly released teaser tracks from what would be their debut.
It feels like it’s been an age since we’ve heard from tfvsjs though it’s only been three years since the release of their first fantastic album ‘equal unequals to equal’ (kudos to the band for finally getting on that Bandcamp train, took a while!) that brought them a fair bit of attention in our global niche despite the minimal amount of information about them available online.
One would find it hard to argue that experimental-math-jazz oddballs Doom Salad aren't dedicated. Since 2013, the band has been birthing a progeny of (good) EPs dating back to 2013, about 1.5 per year by our count. As step up to the plate with their first full-length, Further, Unafraid, Into the Light, it would seem that their fecundity knows no limits.
We have 15 seconds to takeoff, then Gridlock launch us into space. From the Moon we travel to a triple-star system almost 24 light years away, where we explore the sonic landscape of Planet Lush – which apparently is populated by intelligent MIDI-controlled synthesizers.